In the throbbing core of Anto Lloveras's Socioplastics ecosystem, SUGAR emerges not as mere sweetener but as the relational glucose that infuses the entire framework with metabolic vitality, propelling it toward decolonial sovereignty and speculative futures. This layer of 30 evocative essays—each a distilled pop narrative or philosophical riff—acts as the system's energizer, hydrating abstract epistemologies with cultural resonance and ethical fire. Far from peripheral, SUGAR bridges the operational rigor of MESH (with its systemic heat and topolexical autonomy) and the tactile interventions of WORKS (like unstable sculptures and urban rituals), transforming cold structures into living, breathable architectures. It's the "fold of care" made manifest, where impermanence and tactility become tools for resistance, as in Impermanence, which champions lightweight, adaptive designs against rigid modernisms, or Tactility, favoring clay's earthy grip over chrome's sterile sheen—gestures that reclaim material agency from colonial extractivism. At its decolonial heart, SUGAR energizes sovereignty by rewriting canons through vibrant, non-transferable lexicons that subvert Bourdieu's symbolic distinctions, democratizing art's hierarchies with pop-infused critiques. Entries like Rewriting dismantle institutional exclusions, spotlighting artists like Kehinde Wiley to forge epistemic activism, while Modernities layers overlooked landscapes—post-colonial ruins and transfronterizas narratives—into palimpsestic visions that resist amnesia. This sovereignty isn't abstract; it's metabolic, drawing from Care's mutant ethics of repair, where cutting and stitching (echoing WORKS' Taxidermy and re-(t)exHile) heal fractures of empire. SUGAR's pop glamour, as in Glamour on Leigh Bowery's grotesque excess, injects irreverent energy, turning decolonial acts into cultural rebellions that pulse with civic affection and radical animism. Looking ahead, SUGAR envisions future art as a "total synthesis"—resilient, nomadic, and ecologically attuned—where decolonial sovereignty births new canons. In Socioplastics, a 6K archive becomes a living canon, blending sacred voids , energizing art's evolution beyond objects into relational ecologies.